Saturday, October 16, 2010

Ben Finfer



Ben Finfer is the technical producer of the Danny Mac Show on the Score, WSCR-AM 670. He recently joined the show after leaving ESPN AM 1000.









Rick: I know Dan McNeil has always been a big supporter of your work. When I interviewed him at ESPN six years ago, he referred to you as the unsung hero of the show (Mac, Jurko & Harry). Is he the one that lured you to join him on the Score?

Ben: First of all it was nice of Mac to say that six years ago. (Photo: Ben at work at ESPN/6 years ago.) But I think a baboon could have produced that show and it still would have been good. Although I'm not sure a baboon would have been able to stand the smell. Anyway, Mac was obviously a big part of my move. As was Mitch Rosen, our program director. But it wasn't just them. I was ready for a change of scenery after almost nine years at ESPN. Luckily I had an opportunity to make the move because I had fooled Mac into thinking I was good at my job. But I might have left even if the Score didn't come calling. In fact before they called I had checked job postings and there was a weekend host position available in Billings, Montana. I'm always looking for ways to show off my knowledge of the Northern Pacific Hockey League. For instance, did you know there is a Northern Pacific Hockey League?

Rick: How has the reunion gone?

Ben: It's gone well I think. It's not like Mac (photo) and I hadn't talked since he left ESPN. It also helped that there was already an established show in place with quality producers. Jay Zawaski and Nick Shepkowski make up the best crew I've worked with and all I had to do was not screw anything up. In fact, everyone at the Score has made it easy for me. I felt pretty useless early on as I adjusted. There was a ton of stuff I needed to learn that I took for granted at ESPN. I didn't even know where the vending machine was. By the way, in case you're wondering the vending machines at the Score are way better than ESPN's.

Rick: You bring a lot to the table as a producer. I see you in the tradition of the great personality show technical producers like John Swanson (Eric & Kathy) and Vince Argento (Landecker & Brandmeier). You're not just a blade man, you take it to the next level; voicing, singing, conceptualizing audio packages and themes. Will you be performing similar duties at the Score?

Ben: Thanks for the compliment. It's flattering to be put in the same category as those guys. In fact I've had Swanson in a few of my personality show technical producer fantasy leagues. Yeah, my duties at the Score are pretty much the same as they were at ESPN. And while I'd love to take sole credit for "taking it to the next level", a lot of my work is a result of collaboration among show members. I often rely on co-workers to help me with an idea. Then subsequently use Inception to make them think it was my idea in the first place. That's how we do it in radio.

Rick: I don't think people appreciate the amount of work that goes into putting a show together behind the scenes. Take me through a typical work day, and explain how the various different people on the show divide the labor.

Ben: A typical work day starts with me waking up at about 4:30 a.m. and hating my life. That lasts until about 5:30. Once I get into the studios I begin production on the day's library of audio. That includes a show open, game highlights, player and coach sound bytes, etc. Both hosts give a lot of suggestions about what they'd like to hear. We get emails full of weird stuff they heard on t.v. or ridiculous comments made by Lovie Smith or whatever. Zawaski is busier than I am. He's the executive producer and books all the guests for the show, plus helps with audio production. He mostly has to lock down guests the day prior because what sane person is awake that early in the morning otherwise? Shepkowski does a lot of editing and production as well. Plus he's our show researcher. If you hear Mac doing a list of the Atlanta Falcons who have made a Pro Bowl, it's because Shep looked it up. He could probably find Jimmy Hoffa's body using Google.

At around 7:30 Spiegs and Mac roll in. We do a show meeting to plan out the day's hilarity and high quality sports conversation. These meetings usually include the all-important task of sending our intern out for coffee. Once the show starts things actually slow down a bit. Mac and Spiegel work their magic, Zawaski screens callers and guides the show, I run the board, and Shep is our runner to catch anything that falls through the cracks. Somehow we make it through four hours. We wrap around 1:15, followed by a post show meeting to talk about how great we were. And then by 2:00 I'm back to hating my life.

Rick: It must have been a little difficult leaving ESPN after all this time. You still obviously have a lot of friends there. How did they take it when you told them you were leaving?

Ben: I actually haven't told them yet. They think I'm just on a long vacation. The people there were the only difficult part of leaving. But I'll maintain friendships with a lot of them no matter where I work. And everyone seemed genuinely happy for me. Believe it or not it was something I worried about. Harry Teinowitz (photo) is one of my favorite people in the business and a friend outside of it. So I was glad that he was supportive. The same with Carmen, Jurko and Danny Zederman, who I produced the show with. I received a lot of congratulatory calls and emails from people there. The generosity coming from ESPN was really nice. And that included my former bosses...John Cravens, Justin Craig and Adam Delevitt. Some real good people work at that place. By the way I also got a text from Brett Favre, let's just say he appeared to be very excited for me.

Rick: What are some of your favorite memories from your years at ESPN?

Ben: Winning the Golden Tee tournament was a personal high for me. People are still talking about my hook shot around the mountain on the 14th hole at Alpine Run. After that my favorite memories are of just hanging out in the office and laughing. There's real good camaraderie there. I mean if you put that many guys together for an extended period a lot of FCC-unfriendly stuff is seen, heard and forwarded. It's the kind of stuff that would have made us all executives with the Tribune Company. Kidding of course. It wasn't close to being that bad.

Rick: You were part of the afternoon saloon when Danny was there, and for quite awhile after Danny left. How were each of those experiences different? What was it like in the weeks and months after Carmen DeFalco replaced him?

Ben: Honestly it was a pretty seamless transition from Mac to Carm. We weren't going to just stop doing radio because he was gone. There were still plenty of crappy Chicago sports teams to be discussed. They have different styles obviously. Several people told me Mac was better, several thought Carmen (photo) was better. But that was for everyone else to decide for themselves. Things around the office didn't change all that much. That probably sounds a little cold considering Mac had been there more than seven years. I just think it's the reality of the business. On Friday he was there, the following Monday he wasn't. It was all made a lot easier by the fact that Carmen wasn't new. He had been at the station a long time and had filled in for Mac quite a bit. Which was nice because I didn't feel like kissing up to someone new. And in the end it's all about me, right?

Rick: There's no question there were some tense times at ESPN. There must have been a half dozen suspensions of various different colleagues when you were there. Then again, the Score has had it's share of tension too. Is there just something innately stressful about sportstalk that brings that out?

Ben: It's definitely not the stress. There are several jobs out there that create a lot more stress than sports radio. We're not putting our lives on the line. We're just breaking down the Bears offensive line. I think the tense times came from the fact that these are guys paid to have opinions and to express them to others. There's no switch to flip. Mac doesn't turn off a microphone and all of sudden go into a shell. He likes to say what's on his mind. As do Harry and Jurko. And I'm sure that's the case with a lot of talk show hosts. But anybody who tells you they're stressed out by talk radio is a drama queen. Passover seders with the family are more stressful. I know there's always a ratings battle staring us in the face and jobs are always on the line. But the worst case scenario is you get fired. I'm sure finding another job isn't that hard. Just ask Mike North.

Rick: You got an opportunity to host or co-host shows at ESPN, particularly on the weekend. Is the Score giving you the same opportunity?

Ben: Yes, I believe that's part of the plan. At the very least I can always call into Les Grobstein's show. That's almost like co-hosting. For now it'll be some weekend stuff at varied times. There are a lot of really good shows on our station so I appreciate wherever they can squeeze me in. That's the beauty of the Score as opposed to ESPN. We're local and live at almost all points of the week. It's tough getting air time at ESPN in between national broadcasts of the John Kincade Show and the replay of the John Kincade Show.

Rick: I know you're still relatively young, and you've got your whole career ahead of you, but what direction do you hope to take it?

Ben: Relatively young, huh? My irritable bowel syndrome says differently. Either way, I'd like to be on the air full time. I want to be the next Dan McNeil or Dan Bernstein or Marc Silverman. Or even Steve Dahl. Actually I want to be better than all of them. But I have a long way to go to get to that point in both talent and accomplishments. Plus there are dozens, if not hundreds, of other guys who want the same thing and have as much a shot at it as I do. But I really don't have any other skills. So I'm willing to be patient.

Rick: Last question. I know you're a fellow Illini as well as a fellow long suffering Cubs fan. Which happens first? An Illinois national championship or a Cubs World Series Championship, or will we die waiting for both?

Ben: Are you including all sports? Because perhaps you weren't aware that the Illini men's tennis team won a national title a few years back. If you're talking major sports I'd say an Illini basketball national championship is the most likely of the bunch. I don't think our football team will ever win one. Ever. Since the BCS began in the 90s the champions have been Tennessee, Florida State, Oklahoma, Miami, Ohio State, LSU, USC, Texas, Florida and Alabama. That's a group of elite programs much further along on the college football timeline of evolution than Illinois. And the Cubs? After the debacle of the 2008 playoffs I, for the first time, began to think they'll never win again. But that was before the Mike Quade era began. So who knows?

Saturday, October 09, 2010

Danny Bonaduce


Danny Bonaduce is the morning man at WYSP in Philadelphia, but during the 1990s he entertained Chicago radio audiences on the Loop.



Rick: You’re known for all sorts of different things (including obviously, "The Partridge Family"), but it’s been more than twenty years now since you started in radio. Do you consider yourself a radio guy now first and foremost?

Danny: Well, I’ve been doing it every single day for twenty years, so I guess the answer to that has to be yes. In life I guess you either have to follow the money or your spiritual beliefs, and since I have no spiritual beliefs of any kind, I follow the money. And for me, the money is in radio.

Rick: You and I worked together very briefly when you first started on the Loop. I was doing overnights on the FM while you were doing overnights on the AM, and I remember that as a very wild time. The hallways were completely crazy every night--it was a radio free for all, and Chicago seemed to embrace you almost instantly. Did you feel the same way about Chicago?

Danny: Absolutely. If you read my book, and I’m not saying this to sell the book because it’s out of print now, but there is more than one chapter dedicated to Chicago, and not just to radio, but to the city, and the people I met there. As far as I’m concerned, my radio career didn’t start the first time I cracked the mic and said “This is Danny Bonaduce.” My real radio career started when I did talk radio—entertainment talk—which is what I do—and that happened for the first time in Chicago. That was real radio, not playing some Debbie Gibson records.

The reason you remember the craziness in the hallway is because back then, just as now, I did absolutely no preparation. I still never write anything down. I don’t even carry a pen. I just introduce the show, and I sidekick for the telephone.

I wait for the inspiration of one moment that will start the show. Let’s say I get into a huge fight with my girlfriend, just to take an obvious example of something that everyone can relate to. I tell the story on the air, and then before I even get to the phone calls of people saying I was right or I was wrong, I get the calls from other people who got into fights with their girlfriends, and that leads to a discussion about resolving the fights because divorce is too expensive, and then calls about cheating, and before you know it, you’ve got a show. I usually have one story to start, and aside from that, I don’t prepare a thing.

Rick: The bit I remember most vividly from your early time at the Loop was the bit when you drove down the parking garage ramp in the Hancock as fast as you could.

Danny: (excited) Carioke! That was my all-time favorite bit. I loved that! That was the very best thing I’ve ever done in entertainment talk radio, and the best I ever will do.

The Hancock had this eight story spiral ramp going up to the parking garage (photo), and the bit was that you had to come into the car with me and sing a song all the way down while I drove as fast as I could, and if you could do it without screaming, you’d win. No one could ever do it, because I knew something they didn’t. That garage ramp was engineered in such a way that a car couldn’t flip over. And I didn’t care if I scraped it up or dinged it, so I would hit the sides, and sparks would go flying and everybody, and I mean everybody, screamed. Nobody made it down that ramp without screaming.

One day Johnny B told me that he thought he could do it, and so I took him down the ramp too. And I went fast, but not real fast, not as fast as I could have gone, and he was singing Happy Birthday or something like that and was doing great until we got to the bottom of the ramp. When we reached the bottom, he saw a woman standing there with a baby carriage, and it was right in our way. Well, I slammed into that baby carriage at full speed, and it went flying through the air, and Johnny B FLIPPED OUT. I mean flipped out!

And then the woman, my ex-wife, got the baby carriage and showed Johnny there was a doll in there.

Rick: (laughing) Oh my God.

Danny: I’ve tried recreating that in other places, but I can’t. It was just that spiral, and the engineering of it that made it work. On flat surfaces or other garages it wouldn’t work, because it would be too dangerous.

Rick: To a lot of people, the big highlight of your time here, the thing that everybody remembers is your fight against Donny Osmond. You’ve since fought a bunch of other people, and everybody knows that you’re a tough guy now, but nobody really knew what to expect for that fight. What are your memories of that night?

Danny: I didn’t know what to expect either. I came close to losing that fight. For one thing, I was drunk. Somebody asked me on my way into the ring what I thought was going to happen, and I said, "I’m going to kick his ass then get drunker."

I mean, c’mon, this is Donny Osmond we’re talking about here. I had a girl to hold my cigarette, because you know, I was smoking three packs a day. But that’s how unconcerned I was. And I started off by pounding away at this guy for like seventy five seconds, and then I stepped away, figuring he would just collapse onto the ground. But he didn’t. He had protected himself. And I thought, “Holy shit, if Donny Osmond kicks my ass, I’m going to have to leave the country!”

Rick: But you did win that fight. And you’ve fought a few more since then.

Danny: After that Donny fight, I took training more seriously. I recently fought Jose Canseco. And that guy was HUGE. I mean the measurements were hilarious. On weigh-in day he was 6’6, 265. I was 5’6, 165. He hit me once, and I’ve never been hit that hard before. I went flying halfway cross the ring, but I happened to land on my feet. I opened my eyes expecting to see him coming in for the kill, but he hadn’t moved. I had to walk back over to him. I think the only reason I didn't lose that fight was because he was tired of being hated.

Rick: Do you still have a tattoo of the Loop logo and Larry Wert’s name on your butt? (Photo: Life Magazine)

Danny: Sure, of course. You don’t think I would have that taken off do you? It’s a hell of an ice breaker in Chicago.

Rick: And Larry really is the godfather of your child.

Danny: I know people thought I was kissing the boss’s ass when I made him the godfather, but I didn’t do that because he was the boss. We really were best friends. And plus, I was already #1 by then. You don’t kiss the boss’s ass when you’re #1. You do it when your ratings suck.

Rick: I don’t know if people remember this, but Johnny B was also critical in the beginning of your radio career. I talked to Johnny the other day and mentioned that I would be talking to you, and he told me to say hi.

Danny: I love Johnny (photo). The reason I give Johnny the credit for my radio career is because even though he never actually hired me anywhere, even at the Loop, he gave me my start with a bit he did.

An article came out in the National Enquirer that Danny Bonaduce was homeless and hungry, so he did a mock food drive for me. I got a call from Chicago saying: "We’ve got 7000 pounds of canned food, and about 12 grand in cash, and would you come to Chicago?" So I did, and you have to remember I was living in LA where everyone is apathetic. If a DJ told someone to do something there, maybe five people would show up. When I got to Chicago though, there were hundreds of people in the airport with signs and billboards. I remember one very well. It had a picture of a red-headed skeleton, and it said “Stop hunger before it stops Danny Partridge.”

I couldn’t believe it—that’s when I discovered the power a DJ could have.

And Johnny had me come up on stage with him and sing “I think I love you” and I wrote funny new lyrics to it, but while I was up there, I felt like I was being pelted with ice. I thought, "man these people in Chicago turn on you fast," but then I noticed it wasn’t ice. It was coins. It was money, and I was running around that stage picking it up. Sure, it was a funny bit, but I really was homeless. I needed that money.

So, DJs being the scum that they are, started stealing the bit. And it became so popular, I went around the country one station at a time, repeating the bit. And one station in Philly even hired me to come on their lame show and be a sidekick and play Debbie Gibson records.

And then Larry Wert saw me do stand up. He called his boss Jimmy de Castro (photo) and said “I’ve seen Danny’s show four nights in a row, and it’s completely different every night. I think he’d be great for the Loop.” So, when my contract ran out in Philly, I went to Chicago, and I got the overnight shift. One night I was on the air on a Saturday, because I worked six days a week back then, and Jimmy called Larry Wert, and said, “Is this what this fucker does? He just screams into the microphone all day?” Just as he was saying that to Larry, I guess I actually said, “What I lack in talent, I make up for in volume.”

I had a contract offer to do overnights, but before I even had a chance to sign it, they moved me to nights, and then to middays, and I never actually signed it. Jimmy finally said to me, “Is it OK if we just shake on it?” And we did. We just shook hands. They gave me a raise and gave me a great deal of money, and I worked for their company and the company it became, which is Clear Channel, for 16 years—all without a contract. The only time I actually signed a contract is the time I was fired.

Rick: And where was that?

Danny: That was in LA.

Rick: Right. That was the Adam Carolla show in LA. What is the real story about what happened there?

Danny: I liked Adam Carolla (photo) a lot, I thought he was a genius, but I heard his show, and knew that he just didn’t know how to do radio. I figured if someone ever taught him, it could be an incredible show. So I really fought hard for that job. I fought like crazy to get it. And I became his sidekick, and I was very happy to be the sidekick. I went out of my way to say, 'Hey, the sign on the wall says the Adam Carolla show.' I was very careful not to step on any toes.

We went from #18 to like #4. But Adam said he didn’t like my comedy. I said:“Why? Because it’s funny?”

He said “Yeah, it’s not my brand of comedy.”

I will say this for him, he’s not a coward. He said that he didn’t want me on his show anymore right in front of me . But CBS wouldn’t let me go. So they gave me morning show money to do a one hour show. Then they hired me to do mornings in Philly.

Rick: Which is where you are now. How is it going in Philadelphia?

Danny: Great. There were something like five different morning shows in the four years before I started here, and I just started my third year, so it’s going well.

Rick: Can people in Chicago hear your show on the internet?

Danny: Sure can. Just go to 94WYSP.radio.com and check it out. We’ve actually got a pretty big following in Chicago already.

Rick: In addition to doing the radio, you’re also a reality television mogul these days, aren’t you? I’ve seen you in several reality shows over the years, but you’re more than just a star in them.

Danny: Every reality show you’ve ever seen me in, except the one with Hulk Hogan, I either wrote, hosted, or produced.

Rick: Do you have your own company?

Danny: Yes. It’s called Graveltone Productions.

Rick: And people probably pitch you all the time.

Danny: They do, and I would take the offers if they would fit around my schedule, but that’s getting harder to do. I’m in Philadelphia now, so it would have to take place here, because I’m not giving up the radio gig. Anyone that gives up radio for TV is out of their mind, unless you’re Ryan Seacrest or something. I’ve done a ton of reality shows, but the problem is that they are years and years apart sometimes. On the radio, I’m on the air every single day, collecting a very healthy regular paycheck.

Rick: Do you ever make it back to Chicago?

Danny: Not as often as I’d like. I come to Zanies every few years, and I suppose it’s about time for that again. If you have any ideas that will bring me back to town, believe me, I’m all ears. Let’s hear ‘em.

Rick: Are you working on anything else these days?

Danny: Yes, on October 23rd I’m playing a 1500 person shed with David Cassidy. I had him on the show recently, which is something I really don’t like to do. My biggest fear is that someone will tune in to my show for the first time at that one moment he’s on and say, “OK, so he talks about the Partridge Family all the time. Is that all he can do?”

But I did The Today Show with him and he seemed to be in a better place about the Partridge Family, so I invited him on the show. And on the air he dared me to learn to play one song on the bass, and join him on stage for the first and only time for real.

So, even though I have a million jobs now for CBS, I’ve got a bass lesson in about a half an hour.

Saturday, October 02, 2010

Pat Cassidy



Pat Cassidy is the morning co-anchor at WBBM-AM, Newsradio 78.







Rick: By the dawn’s early light. That’s how I know that I’m listening to Pat Cassidy. What is the origin of your use of that phrase?

Pat: It’s from the national anthem of course, and I’m on when the dawn is just lighting. I was looking for some kind of signature line, and I’m a patriotic guy on top of it all, and just tried it, and it stuck around all these years. I do get ribbed by my co-workers occasionally when I say it when it’s still pitch black outside, like in the winter, but I’ve been saying it now for 35 years. Once in awhile I space out, and forget to say it, and people notice. We get calls about it.

Rick: You’ve been back at WBBM for a few months now. Does your time at WLS seem like the old Dallas episode, where everybody just dreamed that Bobby Ewing was dead for two years? Did you emerge from the shower as if nothing had ever happened?

Pat: (Laughs) Something like that.

Rick: I don’t think I’ve ever seen a radio station hold a slot open for someone like that, hoping they would return. Is it any different the second time around?

Pat: It really is just like it used to be. I fell right back into the pace of things, and the stride of things. Most of the same people are here, and these are people I worked with for years and years. Some I’ve known since the WMAQ days, like my head writer Barb Hillebrand. For the most part, people accepted me. A lot of people said it was good to have me back. There have been a few little comments implying that this is where I belong, not doing that talk thing.

Rick: Since you brought it up, let’s talk about that talk thing for a moment. There were a couple of notable shows when you were co-hosting the show with Mancow on WLS. The one that probably got the most attention was the waterboarding show. What was going through your mind while you were narrating that show in progress? Was that authentic? It looks like it on the video.

Pat: It was authentic. Now, Mancow was not stuck in a cell and not fearing for his life, so that part wasn’t legitimate in those terms. But it was performed by a Marine, and Mancow’s feet really were bound, and there were many elements that were real, including the fact that he caught him off guard by doing it on the count of three instead of five. That really threw Mancow off. He really felt it was torture after it happened. Looking into his eyes, you could see it. He did look very upset.

Rick: Yes, he did, but with Mancow you never know. Are people wrong to doubt his authenticity? Is he just misunderstood?

Pat: No, I wouldn’t say that. I wouldn’t use that word. He’s not misunderstood. He does what he does quite deliberately. He says deliberately outrageous things just to get a rise out of people sometimes. But I will say that having worked with him, and having it seen from the inside, he really does have devoted fans. And yes, he also has his detractors. Seems like there is no inbetween with Mancow. But he is a hardworking, talented, fun-loving guy. I’ve never seen anyone work harder than that guy. He’s doing pretty well with it, but he might consider fine-tuning it a bit to make it more commercial.

Rick: You’ve been anchoring a morning newscast for many years now (at WMAQ and WBBM). I listened to Karl Klockars interview with you about 9/11, which was really interesting by the way. You mentioned something in that interview that hadn’t really occurred to me before. The morning time slot rarely has breaking news. It has the highest listenership, but it rarely has breaking news. 9/11 was an exception to the rule. Were there others?

Pat: The discovery of the bodies at Gacy’s house happened in morning drive. I had a source at the time in law enforcement that called me a few times during the process. At first we only knew it was a body or two, but he called to say “Pat, it ain’t one or two. It’s more like 22. There’s a lot of bodies down here."

That was a breaking news story in the morning. But for the most part, there aren’t too many, because frankly, people are fast asleep. Most of the breaking stories in morning drive are crimes, or fires, or sometimes something happening in Europe, or very rarely, the East Coast—say if the newspapers have a big expose that is getting lots of attention.

I suppose it is a bit ironic that we have the most listeners, but the fewest breaking news stories.

Rick: My wife has your show on every morning as she gets ready for work, and I can name the whole cast of characters with very little difficulty, but I don’t really know much about them because the all news format doesn’t really allow for a great deal of personality to shine through. Tell us a little more about your show mates Felicia Middlebrooks, Bart Shore, and Josh Liss.

Pat: Felicia is a very conscientious and organized individual who is serious about presenting news, but she’s also very compassionate and has tremendous empathy. My attitude is more like a cop’s. I’m slightly jaded. Yes, it’s sad, but we’ve got to move on. Felicia really feels deeply for some of the victims.

Bart Shore (photo) is a rocker, but he’s so conscientious about the traffic, probably more so than anyone I’ve ever seen. He works like a newsman, makes phone calls, and sometimes even breaks news stories. In his heart, though, I think he’s a frustrated DJ that loves his rock and roll.

Josh is a tremendous writer, and knows way more about sports than he’s putting on the air. He’s often very insightful, but for me what sets him apart from the rest is his writing, the turn of a phrase, the way he says so much with a few words.

And the guy who really runs our show is Jim Benes. Jim is a tremendous journalist, with great instincts. He gets in there many hours before we do, and thanks to him, we never miss a story. Never. Not with Jim at the helm, overseeing everything. He’s also my golfing buddy. We live near each other.

Rick: I have real fond memories of the old WMAQ. You were there for so many years, through so many different formats, until the very last moment they signed off the air. What are some of your favorite memories from those years?

Pat: Oh gosh, I have many. I thought of WMAQ as two different stations. It was owned by NBC when I first started there. It was a country music station at the time. This was late 1975. Actually I was hired by NBC to work at WNIS (All news on FM), but that didn’t really work out. It was ahead of it’s time; FM radio wasn't as prevalent as it is now. I was moved over to WMAQ after that. Lee Sherwood was the DJ on that show, Jerry Taft was the weather man, and our sportscaster was Tim Weigel.

I’m not 100% sure about this, but I think that was Tim’s first broadcasting job. He was a sportswriter for the Daily News when we hired him. We were looking for a way to present the sports in a more fun way and somebody heard Weigel clowning around in the press box one night, and thought, whoa—this guy is smart, and glib, and entertaining. So they offered him a job. That show was a hit. Our ratings in the mid to late 1970s were killer. Country music worked real well on AM Radio.

Rick: WMAQ’s gonna make me rich!

Pat: Exactly. WMAQ is going to make me rich. That is one of the most memorable catch phrases or slogans in radio history. I think they made a big mistake by getting rid of it. They dropped it because the lottery came along, and I remember sitting in a meeting, and somebody said that the lottery was going to own the phrase now. So we dropped it. But people still remember it today.

One time we had a contest winner that won $25,000. That was a lot of money in those days. WMAQ made him rich, but only for a few seconds. He got so excited, he went out on the front lawn to tell the neighbors and dropped dead.

Rick: (laughs) Sorry, I guess I shouldn't be laughing.  I never heard that story.

Pat: I believe he lived just over the border, I want to say it was Racine.

Rick: So after the country format, it became a talk station.

Pat: Yes, that’s true. For a brief period of time it did. That’s where I met Drew Hayes for the first time.

Rick: He was on the air in those days, right?

Pat: That’s right. We also had Mort Downey Jr. (photo) and Chet Coppock. I’ll never forget a stunt I saw Mort Downey pull. It was one of the riskiest things I’ve ever seen. He was a right wing screamer and was debating a feminist, and there was no doubt about it, she was getting the best of him.

But Mort had control over the dump button (the delay system). So, to throw her off her game, he unleashed one of the most intense three or four seconds of profanity you’ve ever heard, and then hit the dump button so it wouldn’t go on the air. But the feminist heard it, and it completely froze her. After that he had the best of her and the audience perceived him to be the winner of the debate. It was risky as heck to do, though. If he hadn’t timed hitting the dump button perfectly, if even one of those words made it over the air, he would have been fired on the spot.

Rick: Were you surprised when NBC sold WMAQ?

Pat: Yes. We never would have believed that NBC would sell that station. It was one of the first radio stations in Chicago, and it had always been run by NBC. But Westinghouse bought it, and they had had tremendous success across the country doing the all-news format. So they came in here gung ho to kick BBM’s butt, and they put a lot of money into it. I was the morning news anchor, and the asst. news director, but we never overcame WBBM. I did find out later, when I was at WBBM myself, that we did have an impact on them. They certainly took us seriously. They told me that WMAQ made WBBM work harder.

The last few years at WMAQ we started tweaking and tinkering the format a bit. We were still news based, but what we were doing then is sort of what Greg Jarrett is doing now. Funny thing is, and this happens all the time in this business, it started to catch fire just before they pulled the plug.

Rick: I know you had a new destination already ticketed when WMAQ signed off, but you must have had some mixed feelings about the end of the line there.

Pat: It was bittersweet. I had a lot of memories and friends there. Bill Cameron, for example. I finally got a chance to work with him again at WLS. But I was sad for all the people that lost their jobs, and I was sad that the call letters were being dumped too. It was a legacy radio station, a part of Chicago for decades and decades.

At the same time, I was excited to be joining WBBM. Management wanted me to go to WBBM the very next day and wanted me to say on the air where I was going. They were hyping it up pretty good. I wasn’t actually on when the station signed off for good—that was later in the day—but I was on WBBM the next morning. I’m proud to say that I didn’t screw up the call letters once. I did screw up later in the week, but not on the first day.

Rick: You’re a native of the area, and I trust that you listened to a little radio growing up. What did you listen to, and who are some of your greatest radio influences?

Pat: I listened to rock and roll, WLS and WCFL, some of the early FM stations.

I actually started out as a DJ and as a part of my shift, I had to read some headlines. The boss at the time, a man named Charles Manson of all things, called me in and said, "You know when you read the headlines, you sound like a newsman and you do things to the news, don’t you?" I said, "Yes, I rewrite it a little bit." He said, "You sound great, how would you like to be my morning newsman?" I was just an average disc jockey, and I was always interested in news, so I said yes.

The station later became WBMX, which was an urban station (It’s now WVAZ). They asked me to stay aboard and become the news director, and I remember talking to the new boss on the phone, and said—"I’m flattered, but I’m not, you know...urban myself." He said, "That’s OK, we’d like to have an integrated staff." So I became their news director, the white guy on the urban station. I worked with all of the big names of that era. I remember the first time I met Jesse Jackson (photo). He showed up wearing a light-green suede suit with a matching briefcase.

But as for guys I admired, Lyle Dean and Jeff Hendrix, those were the guys I liked. When Jeff retired, they actually called and asked me to come over there, but the timing wasn’t right.

Rick: Do you have any advice for the radio newsmen of tomorrow that may be growing up listening to Pat Cassidy?

Pat: There’s always going to be a need for broadcasters that can do the news. Keep the faith. Be as well rounded as you possibly can be. The one-trick pony just isn’t going to make it anymore. You’ve got to be able to anchor, report, and do talk. If you can, do sports too. Make yourself as well rounded as possible. The jack of all trades is the man or woman that will be most employable.

Saturday, September 25, 2010

Alex Quigley

Alex Quigley is the co-host of ChicagoNow Radio and Preps Plus Chicago on WGN Radio. He was also recently named the interim assistant program director.




Rick: WGN has been getting a lot of criticism lately, but I think your show (ChicagoNow Radio) is a nice addition to the Saturday lineup. For those that haven't tuned in yet, how would you describe the show?

Alex: It's a revolving door of ChicagoNow bloggers, with a new topic and new vibe every half hour. Amy and I push and pull the bloggers to get them comfortable and talking about their areas of expertise. Then we take a one-way trip to Tangentville. As long as we're talking about something that our listeners in Chicagoland find useful or entertaining, we don't mind where the conversation goes. It starts at 9am and ends at noon, save for Cubs/Blackhawks/Wildcats games that may cut us short


Rick: When I heard that you were going to host the show, I figured, OK--that makes sense. You're a writer for ChicagoNow, you've got the radio background, and you did a lot of interviews at Q-101. But this is a whole different ballgame, isn't it? How do you like the challenge of doing a full-fledged talk show?

Alex: Man, you ain't kidding. There's no rollin' in ten minutes before showtime and winging it. (Well, I guess you could, but it's glaringly obvious if you did. And bad.) I love it. I also appreciate the freedom that Dan and Kevin have given us, formatically. The challenge also is eased when you have a solid producer. Matt Mattucci and Kristin Decker both do great work for us. The show wouldn't be anything without their work.

Rick: WGN is a Chicago institution, obviously. What does it mean to you to be broadcasting from those iconic studios on Michigan Avenue?

Alex: On day number one, it was intimidating. Also, day number one happened to be the day Chicago dyed the river green for St. Patrick's Day...so the extra ten thousand people didn't help the nerves. But honestly, if I start getting wrapped up in the history of the hallowed halls...I forget about why I've got a microphone in my face. It's to relate to the millions of people who aren't here, or who may never even visit the Tower. It's about relating to them here and now in their cars, workplaces, garages, and kitchens. And in the case of one of our semi-regular callers, their bathrooms.

Rick: I met your co-host Amy Guth at one of her Reading Under the Influence events at Sheffield's (when I read--under the influence--from one of my books). She's a natural on the air. Has she done radio before this?

Alex: Jimmy Greenfield. It's all about his intuition. He knew Amy (photo) well from working together upstairs and suggested that she get a tryout alongside me. He was right. (He grows a mean playoff beard, too.) Amy's never done radio, but she's hosted some red-carpet literary events and gone on her own book tour, so she doesn't shy away from talking. We fit together very well on-air by filling each other's knowledge voids in a very complementary way. Between the two of us, we might have a trivia night dynasty in the making. I'm very impressed with the progress she's made in a mere twenty shows. Threatened, even. No seriously, she physically threatens me.

Rick: Now I see you've also added a Friday night football show to your list of duties. Tell me more about that show.

Alex: Preps Plus Chicago is our way of leveraging our excellent resources within the Tribune's Preps Plus section. They've got a fleet of reporters out across Chicagoland every Friday night; we put 'em on the air live to give their first-hand accounts of the best games on the slate. It's fast-paced, rapid-fire, instant results and analysis. (Executive producer Justin Weiner has some of the fastest dialing fingers in the radio biz.) It starts at 10:30pm every Friday night, barring any Cubs/Blackhawks/Wildcats preemption. And if the first show is any example...we'll be out of breath by 11:00:01 every Friday night this season.

Rick: You and I actually have a lot in common. For one thing, we share an alma mater (University of Illinois). For another thing, we both got our radio start there (although mine, sadly, was about fifteen years earlier). My mom hates when I say this, but I learned more valuable information from my stint at WPGU (I was the PD too--like you) than I did in my journalism classes. How did your stint at that radio station help you in your career?

Alex: You are sooooo right about WPGU. Everything I learned about radio in college I learned there, and well before the JOURN curriculum got to it in my classes. But I don't fault the University for that; I was just really, really involved in the Planet's workings from the moment I walked in the door as a 17-year-old freshman. I know you had the "old" studios in the Six-Pack, but now our location on Green Street is "old". The kids there today have it really good with their all-in-one Daily Illini / PGU combo building. Plus, it's next to Legends Bar & Grill. Whippersnappers.

On a more serious note, joining the unofficial fraternity of WPGU alums has been a lifelong comfort. Most of my best friends today are people I met there and fought alongside in the radio trenches.

Rick: You were at Q-101 off and on for most of the 00s (have we come up with a name for that decade yet)? What are some of your favorite moments from those years?

Alex: Weezerama is still my #1 memory. Sludge gave geographic clues to a secret spot in the metro where I had 500 wristbands, first 500 get in to a secret show with newly-resurgent Weezer. We were just north of where the Sears Centre is now in a dog park just off of Higgins Road. A couple minutes after the final clue was given, a small trickle of ten or so cars found us. Then...the tidal wave hit. Some five thousand listeners flooded the area. People abandoned their cars on Higgins and took off through the forest to get to us. It was a rare time when the direct impact radio has was very visible. Visible and sweaty.

More recently, I got to host Corey Taylor's station takeover (photo) and interview Kirk Hammett. Easily two of the best rock stars I ever met through the job. I'm very grateful to Marc Young for giving me the call on those.

Rick: I know you grew up in Belvidere. Who did you listen to when you were growing up? And who are your biggest radio influences?

Alex: Sports-wise, I slept with the radio under the pillow for many Bulls and Cubs games. I also remember turning down the TV for Bears games and turning up Larrivee and Arkush because they were just better than the national crew. On the FM side, the two I distinctly remember are Jeff Wicker at WZOK and Pete McMurray on WXRX. First time I met Pete in the lunchroom at Emmis, I said something to the effect of "Pete, I used to listen to you all the time when I was growing up!" He looked at me sideways...I later realized that it may have come off like I was calling him "old". Pete is not old. In fact, he's in ten times better shape than I am and could probably lift a tour bus if needed.

Rick: You're also a writer/blogger for the Tribune (ChicagoNow and the Red Eye). What do you prefer--radio or writing--and why? And which direction do you see your career heading in the future?

Alex: It looks like my "radio" plate will be getting a whole lot more full in the near future with the interim APD title, so I'm going to roll with that. But I fully plan on continuing to write for the RedEye and ChicagoNow. Can't hurt to expand that umbrella. As a minimum goal, I hope to not be unemployed. As a maximum goal, I want to be in the Chicago Radio Hall of Fame. I will be happy to finish somewhere in the middle ground.

Saturday, September 18, 2010

Orion Samuelson



September 26th, 2010 will mark Orion Samuelson's 50th anniversary with WGN Radio.





Rick: First of all, congratulations on 50 years at WGN radio. That’s an amazing accomplishment. Has it seemed like fifty years to you?

Orion: No, no, it certainly hasn’t, but I am proud of it because no one has ever done it before, and the way the business is these days, I suspect no one will do it again for a very long time. I’m very appreciative that WGN has given me this opportunity.

Rick: Where did you work before WGN?

Orion: Well, I’m a Wisconsin farmboy; my family owned a farm in La Crosse. I got my start in radio in 1952 as a polka disc jockey on WKLG. It later became WCOW, which certainly makes sense in that region, but now I believe it’s WKLG again. In 1954, I moved to Appleton to become a teenage telephone DJ, taking requests and playing the records for kids. The owner of that station also owned a television and radio station in Green Bay Wisconsin, and knew I was a farm kid, so when one of the farm broadcasters left, they brought me aboard.

I really enjoyed Green Bay. I was a big fish in a little pond, and had just built a new home there. WGN called me because their farm director, Norm Kraft, had resigned on the air and walked out of the studio—announcing that he had joined the campaign of Senator Kennedy. I suspect that he thought he would be named Secretary of Agriculture if Sen. Kennedy won. Kennedy did win, but Norm didn’t get the Secretary job.

As for me, I loaded up my 1949 Chrysler New Yorker Deluxe with 80,000 miles on it, and drove to Chicago. Remember, there weren't any expressways in those days. It was a long drive on highway 41, but I figured it would be a fun trip to the big city. I knew there were far more qualified people than me, so I didn’t think anything would come of it. I met the GM,Ward Quaal (photo), and Wally Phillips-who was doing evenings at the time, and Eddie Hubbard—the morning man, and Jack Brickhouse, and was very impressed. I was shocked when they offered me the job. I really thought long and hard about it. It took me ten days to make the decision. I look back at that now, and shudder to think how close I came to saying no.

Rick: When you started at WGN in 1960, Chicago was the center of the media universe. The first Kennedy-Nixon debate took place at the old Channel 2 studios at McClurg Ct. the same week you started. I’m guessing it didn’t take long to realize that you had hit the big-time.

Orion: (laughs) No, no, it didn’t. It was a little intimidating. I went from big fish in little pond, to little fish in big pond. And I feared any little mistake would send me packing. WGN was very impressive thanks to Ward Quaal. He was an icon in the industry. He turned WGN around when he took over in 1956. He took paid religion off the air, and he put traffic copters in the air to get better traffic reports. He was an outstanding broadcaster.

Rick: You’ve covered an incredibly broad range of stories in those fifty years. There must be a handful of them that are most memorable to you. What are they?

Orion: Well, I’ve also done a television show for many years too, and with my crew we’ve gone to forty three countries. That’s one thing.

I’ve been asked about this a lot in the last few weeks, and I suppose the one that comes to mind is the day that Senator Kennedy came to Green Bay in May of 1960. He held a press conference in the Northland Hotel, and I asked him several questions about farm and dairy issues. After the press conference was over, a gentleman in a suit came over to me and said, “Senator Kennedy would like to speak to you privately.” He wanted to learn more about farm issues. So we sat in the bar of the Northland Hotel and discussed farm issues for about twenty minutes.

Then, on November 22, 1963, I happened to be on the air when the news came over the wire. I was in the middle of a weather forecast, and I remember it was a warm and rainy day in Chicago, when the yellow teletype was handed to me. I thought it was a joke at first, because of course, that’s the sort of gag we liked to pull on each other, but when I saw the faces in the control room I knew it was for real.

You have to remember, this was before we had the internet, and before we had computers—we were totally reliant upon UPI and AP to give us the news. That was all we had. At 12:33, all I had was this one or two sentence bulletin stating that the President had been shot. I didn’t know what to do. The program director was at lunch, so we couldn’t ask him. The record turner was at lunch, so we couldn’t go to music. So I just went back to reading my forecast, then read the bulletin again, then went back to the forecast. Finally, someone found the record turner, and we went back to music. Walter Cronkite announced that Kennedy was dead around 1:00. I’ll certainly never forget that day.

On the other end of the spectrum, another highlight for me was being the announcer on the WGN Barn Dance. I grew up listening to WLS, the Prairie Farmer Station, and the Barn Dance was a regular Saturday night feature, and had been since the 1920s. They held it at the old 8th Street Theatre. Well, on April 30, 1960, WLS signed off as a farm station, and the next day they became a rock and roll station. This infuriated every single farmer in the Midwest. I said to Ward Quaal, that it would be a shame to let the Barn Dance die, and he agreed. We brought it to WGN, and from 1960-1969, I got to meet some of the greats of the business, including Johnny Cash, and boy you name it, they were all on the show.

I still talk to 4-H clubs with some regularity, and I always tell young people, if you don’t remember anything else I’ve said, remember this: You can’t dream big enough. As a kid sitting on a three-legged milking stool in Wisconsin, I never would have believed the life I had in front of me. Thanks to the power and influence of WGN, I’ve met seven presidents. I even went to a dinner at the White House once when Richard Nixon was president. I never would have believed that could happen to me.

Rick: One of the things I enjoyed about working in radio was the chance to meet so many talented people. You’ve seen some of the greatest come and go—who would you rate as the best of the best—and who have been some of your personal favorites?

Orion: Wally Phillips (photo) had the fastest mind of anyone I’ve ever known. It used to absolutely amaze me—listening to him on the phone calls, his quick comebacks were incredible. Just sitting there and watching the system work was an education. In those days all of these voice cuts he played were put on a disc. There were tons of discs, and his record turner did a tremendous job.

When Bob Collins arrived, I honestly thought it was the end of WGN. He was so unlike Wally, so unlike Roy Leonard. He had that raucous cackle and laugh. He wasn’t smooth. He didn’t have a good radio voice. I didn’t like him for a good six months. But we got involved in a cow milking contest once, and we hit it off. On the day he died he was my closest friend at WGN. His talent was that he could go from something very silly or stupid, to talking about an important issue like abortion or gun control, in the blink of an eye, without missing a beat, and without losing his credibility. That’s a rare talent.

Spike O’Dell was great too. He was put in one of the most difficult situations any broadcaster had ever faced—he had to replace Bobby, and talk about it, and report it, on the air. I couldn’t do it. I wasn’t able to discuss it without breaking down. I’m still amazed that Spike handled that so well. He was a great guy too. What you see is what you get from Spike.

And Roy Leonard, in my book, is the best celebrity interviewer of all time. He did the research, he prepared, he read their books, and it showed. I’ll always appreciate Roy for the gracious way he introduced me to these big stars when I came into the studio to deliver my reports. He didn’t have to do that, but he always went out of his way to introduce me to people like Gregory Peck, and one time, I even got to shake hands with Sophia Loren. That’s a moment I’ll never forget. (laughs) That was definitely a highlight.

Rick: We’ve already touched on this briefly, but I want to ask you a little more about agricultural reporting. It used to be a mainstay of big AM radio stations throughout the Midwest. Is radio making a mistake by eliminating or downplaying agricultural news?

Orion: Yes, they are, but you have to realize that most of the managers of the big city radio stations have no knowledge of the food industry’s importance to our daily lives. Their upbringing was probably in the city, and they don’t really understand what happens west of the Tri-State Tollway. I can understand that, I really do. But I try to educate our sales people that rural people are just like them, they buy refrigerators and cars just like city folks do.

Another thing that has emerged to diminish the power of the Big AM stations to deliver the farm news is that local stations have emerged to fill that void. Before they came around, at night time you really didn’t have any other contact with the world besides us. We would cover the nation and a good part of Canada. We were a natural resource because we could get information to everybody in the country. Now there are other ways to do that. And now WGN isn’t even a clear channel station anymore. Now there’s a 720 in Las Vegas and Connecticut.

We had an interesting moment during the Cuban missile crisis in 1962. President Kennedy wanted to send a message to the Cuban people that our dispute was not with them, but with their government. He came to several of the big 50,000 watt clear channel radios stations, including WGN, and asked us to deliver a message at midnight every night in their native tongue. And we did. And they could hear us all the way in Cuba. But, the Cubans took action to block us. Within six months they started a 200,000 watt station on the same frequency, and that really blasted us out of the air at nighttime. In the south all you could hear on 720 was Cuban radio. It took us twelve to fourteen years of intensive negotiating through the Swiss Embassy (because we didn’t have direct relations with Cuba) to finally reclaim the frequency in that direction. When I met Mr. Castro in 2000, I was really tempted to bring it up, but I didn’t.

Rick: The radio business itself has obviously changed dramatically during your time on the air. In what ways do you think it’s better or worse than it once was?

Orion: Well, with the instant access we have today, we’re able to do a better job covering stories. If we had all this information at our fingertips in 1963, I wouldn’t have been forced to read weather forecasts the day the president was assassinated.

But there have also been a few changes for the worse, and I fully realize my take on this is probably partly due to generational differences. I’m bothered by the language. I’ve always believed that if you can’t make your point without using four letter words, you’re obviously not able to make your point. I also don’t think we’ve improved the world with some of the formerly taboo topics that are now covered.

Obviously, consolidation is another thing that hasn’t been good for radio. Local radio was really battered by that, but I do think we’re slowly recovering from that. I’ve done local radio and I know how important it is to the community—we did birth announcements, and funeral announcements—the sort of community involvement that all but disappeared in places like Minot, North Dakota, where one company owns eight radio stations.


Rick: And the changes at WGN?

Orion: Look, every kind of change is difficult for all of us. The changes here—I don’t like them all, but I’ve always believed that if you don’t own the radio station, it really is out of your hands. You only have two choices. Go away or stay. I’ve obviously stayed.

Rick: You’ve been rumored to be running for office many times over the years. I know you’ve been active in Republican politics. Has that ship sailed or is there still a chance we could see Orion for Governor signs in our front yards someday?

Orion: No, I’m 76—nobody will vote for someone my age now. But I’ve always been intrigued by politics. When Reagan was elected I was on the list of potential Secretary of Agriculture nominees. I think I would have been a good one, but many people pointed out to me that I could make an even bigger impact on the agricultural community where I was. Once you become the secretary, half the people hate you—the people from the other party.

I did have an interesting five days of almost going into politics when President Obama was running for the Senate. Jack Ryan had won the primary, but had to back out after a scandal emerged.

I got a call from Channel 7 saying that they wanted to interview me about possibly becoming the Republican candidate, because they were hearing rumblings that I was being mentioned as a possible replacement. I told them there was no story there, I hadn’t been contacted. Then Channel 2 called and told me that I was being mentioned downstate in the newspapers there.

The next five days were fascinating. Suddenly I was hearing from people all over the state, offering to hold fundraisers or contribute to my campaign. Denny Hastert’s office called me and set up a meeting at his house. Dennis (photo) was there, along with his campaign treasurer, and the head of the party, and Denny’s wife too—so Gloria had someone to talk to.

Suddenly this was becoming very serious. They asked me about my positions, and I admitted that I had some views that wouldn’t be popular with the base, including my stance on gun control and abortion. I’m all for hunting, but I honestly don’t believe hunters need automatic weapons. Denny admitted that a few would take issue with that stance, but that he could live with it. Then I told him that I really thought a woman should have the right to choose what happens with her own body, but I also said that I have two children, and they’re both adopted, and I wouldn’t have been so blessed if their mothers had chosen abortion. He seemed to think that was a reasonable position to take.

We even talked about what it would take from a financial perspective to run for office. He told me that most candidates need to spend $4 million just to become known, but that I wouldn’t need that because I was already known. He said I’d need about $10 million altogether, and that he could get me the first million. Well, that left $9 million more, which seemed daunting. But he pointed out that I wouldn’t have to run in a primary, and that was another plus.

I left his house thinking I was ready. My wife was ready. Denny Hastert was ready. But since I had a serious health condition (involving my throat), I said that the final decision would have to be made by my doctor. When I got him on the phone, he said: “Samuelson, what the hell are you thinking? Are you crazy?” (laughs). I took that as a no.

That ended my never political career.

Rick: But your radio career is still going strong, so let me ask the question I’m sure you don’t want to answer—are you planning on retiring soon?

Orion: No, not at all. Randy Michaels and I have had a few conversations about this. We went to lunch a couple of times and chatted. He has a love of radio history—give him a call letter and he can tell you where it is. He asked me if I was planning on retiring, and I said no. Randy said to me: “As long as I’m president of this company, I want you on the air.”

Saturday, September 11, 2010

CRS Update: Richard Cantu, Rick O'Dell, and Alan Cox

I have more updates this week. A spotlight will shine on a brand new interview subject next week.


RICHARD CANTU

Richard Cantu was one of the first interview subjects at Chicago Radio Spotlight nearly four years ago. He had recently started working at ABC Network News in New York after a long and successful career in Chicago at WJMK and WBBM-AM. I checked back in with him recently because I know there have been some dramatic changes at the network, and wondered how those changes affected him...

Richard: They say the only constant in life is “change”—and that has certainly been my case in recent years here at ABC News Radio. When I arrived in late summer, 2004, I was assigned to anchor evening newscasts on one of three networks servicing ABC Radio affiliates. As everybody in this business knows, the economy has taken a terrible toll on radio stations, groups and networks. ABC is no exception and, consequently, there’s been a bit of change in Yours Truly’s career.

Where we once had three anchors working each 6-hour shift, we now have two—with one of the anchors covering newscasts on two networks. It was a bit nerve-wracking to start, but everybody seems to have settled-in to a workable routine. Due to some personnel cuts in October, 2009, I am now heard, at various times, on all three networks.

On Saturdays and Sundays, I’m on what we call the “I-Net”—it’s the premiere network ABC offers—and I can be heard on WLS hourly from 11am-4pm. Monday-Wednesday, I’m working the evening shift on the “E-Net” and “News Now” networks. Additionally, since the sportscasters were eliminated due to budgetary requirements, I am tasked to write and record two sportscasts that are distributed to affiliates across the country. That’s a lot of fun—especially since, when the opportunity arises, I can talk about Chicago sports instead of the usual East Coast-oriented issues you tend to hear in the national sports media.

Most recently, we’ve been committing a lot of time and effort providing content to Slacker Radio; an Internet venture that allows users to “select” the news content they want to hear(the ultimate in narrowcasting?). Time will tell if all this effort translates into paying customers. That said, I’m still having a blast working in radio; it’s a great job and I work with a lot of pros. I’m still missing Chicago—and if anyone needs a broke-down old newscaster, send ‘em my digits! LOL!


RICK O'DELL

When I interviewed Rick O'Dell last year he had just been let go by WNUA. I caught up with him last week and asked him to tell me more about his new(ish) gig at WLFM...

Rick: I've been at WLFM-LP, 87.7 Chicago's Smooth Jazz, since last December. I'm PD, MD and midday host. It's a unique environment, to say the least, and a major departure from the culture of Clear Channel. We're the only radio station among the media properties of the Venture Technologies group based in Los Angeles. I'm one of a staff of about a dozen people (mainly part-timers), led by GM Pat Kelley, rebuilding a format and building a radio station from scratch. Fortunately, we've gotten help in the programming department from some heritage WNUA talent: Bill Cochran, Loni Taylor and Scott Adams, along with Brian Culbertson and Dave Koz from the Broadcast Architecture Smooth Jazz Network.

We're up against some interesting challenges here (namely a weaker signal than we had at 95.5 and the proclivities of the Smooth Jazz format in the world of PPM), but the outlook is bright. June was our best ratings month, and July was our best revenue month so far. And our listeners' passion for the music we play has never been more apparent. It's all good.


ALAN COX

When I last spoke to Alan Cox about two years ago, he had just been let go as the morning man at Q-101. He is back on the air again, although now he's in Cleveland. When I spoke to him the other day, I asked if he could get me caught up on what's happened since our last conversation.

Alan: After we spoke in Sept of 2008, I took a sales job with WNUA, in order to keep my ear to the ground in Chicago, hoping that something on-air would surface. Ironically, I was only there for 11 weeks, as Clear Channel fired 1,200 employees on Inauguration Day 2009. As a newbie, I knew I'd be among the axed; sadly, stalwarts like Rick O'Dell (see above) found themselves in the same boat. As everyone knows, it was shortly thereafter that WNUA's jazz format was no more.

I continued to do stand-up in clubs around Chicago, as well as commercial voiceover work for clients like AutoZone, Verizon, and Northwestern University, narrating a few documentaries that aired on the Big Ten Network. In December of 2009, famine became feast when my agent called me with two on-air offers, neither of which was in Chicago.

As much as I hated being off the air, I hadn't contemplated having to leave Chicago again after only two years, and economic circumstances being what they were, I had to go where the action was. In truth, despite being bummed about loading the UHaul again, it's really been a great development. I'm hosting a talk show (which I had wanted to do all along) at the legendary WMMS in Cleveland, my third go-round as a Clear Channel employee. (One thing I'll say about CC: unlike other radio companies, getting booted from one position never keeps you out of contention for another with them.)

In some ways, WMMS feels like a throwback to my formative years working with Johnny B at The Loop. WMMS is a rock station that has had great success with talk in drive-time, a rare bit of foresight that a market like Chicago would do well to emulate. I've definitely brought a different vibe to the station, with my mix of comedy, politics, and raw, unvarnished commentary. (9 months in, my show is #1 18-34 and #4 25-54)

In April of this year, I was also brought on to host middays at WSDD in St. Louis. It's a more music-intensive show, targeted at Gen-X women, but the management there were fans of my irreverence and the OM is an old friend of mine, so it all came together. I record the St. Louis show in the morning from my Cleveland studio, then go live on WMMS from 3-7p.

Fortunes in this biz turn on a dime, and I'm very happy to be back on the air. Now my goal is to get back to Chicago in a few years and inject some much-needed new blood into the talk radio landscape in my hometown. Also, a final shout-out to Jonathon Brandmeier and Robert Murphy. Both have been invaluable mentors to me, and both deserve to be back on the air at home, ASAP. In the meantime, until I return, anyone can hit me up and stream my show at www.alancoxshow.com.

Saturday, September 04, 2010

CRS Updates: Roe Conn, Cisco Cotto, Jerry Agar and Bob Hale

I got a chance over the last week or so to reconnect with a few of my previous Chicago Radio Spotlight interview subjects. All have undergone some big changes since we last spoke...

ROE CONN

Since we last spoke, Bill Leff is gone from the show, Cisco Cotto has come and gone, Jill Urchak has come and gone, and Christina has come and gone and come back again. Now on the show: Richard Roeper, Jim Johnson (who never left) and Christina Filliagi. I asked Roe how he likes the changes that have been made to his show...

Roe: What a difference a year makes. In 2009, our company (Citadel) was going bankrupt, management panicked and adopted a "try anything" approach that relied more on stunts and controversy than content. The audience was left whip-sawed and confused.

With Michael Damsky and Drew Hayes at the helm (and Citadel successfully emerging from bankruptcy) the environment changed. Damsky had an actual business plan that put WLS back on offense, the centerpiece of which was repairing afternoons.

He brought in Drew, brought back fan-favorite Christina Filiaggi and let us rebuild a show around current events that uses entertainment instead of anger to make a point.

It's easy to piss people off. Outrage is cheap to produce and hard to sell. Entertainment is harder to produce but much easier to sell.

Mike and Drew understand that and were very supportive in allowing me and Jock Hedblade our Executive Producer to do whatever we needed to do.

Our first job was to get Richard Roeper on board. He was close to signing with WGN, but was hesitant about their direction. They have fallen into the trap we nearly did. Build cheap controversial programming and hope for the best. That has never worked in Chicago.

Richard, Jock and I have crafted a show that plays to all of our strengths. It's packed with information, but fun. It doesn't rely on the tactic of pitting people politically. It has an edge without being predictable.

And apparently it's working. We are up 110% 25-54. We are back in the top 10 with adults 25-54 and the top rated show on AM with women 25-54. But most importantly, we're having fun again.


CISCO COTTO

When I last spoke with Cisco he was the co-host of John Howell's morning show on WIND-AM 560. Since then, he has come back to WLS to co-host the afternoon show with Roe Conn, and then was given the 9-11 AM slot when Mancow and Pat Cassidy were let go. I asked him how he liked his new shift, and if he felt any pressure having to fill the gap between Don & Roma and Rush Limbaugh...

Cisco: Being back at WLS is literally like a homecoming. I was there for 6 years as a news reporter before deciding to try moving into the talk studio. Many of the behind the scenes people are still at WLS so there were lots of hugs when I returned. It may sound silly in an age when radio jobs come and go, but WLS really does have a family feel. Drew Hayes and Michael Damsky are helping to foster this. They see their roles as coaches rather than bosses. They are always asking how they can help us as opposed to issuing edicts. Sometimes I have to pinch myself a bit to make sure this is real. A friendly environment and supportive bosses isn’t what radio is “supposed” to be like. I’m truly having a blast and enjoy going to work every day.

One of the best parts about being back is being able to see Don and Roma everyday. They are two of the nicest and most generous people I’ve ever met in radio. So now, between the end of their show and the start of mine, we get to joke around off the air. Often we’re laughing so hard my producer has to call into the studio, “Cisco, your show started 2 minutes ago. Would you like to talk or should I replay your opening music?”

Why do you think there would be pressure as the show between two local radio legends and the man who single handedly established the conservative talk radio format? Pressure? No pressure! Seriously, it certainly is a responsibility. Both Don & Roma and Rush have big audiences and if I don’t deliver then there’s obviously something wrong with me and not them. But my history with the station made the start of the show easier because listeners were welcoming back a voice from the past. Also, I’ve tried to learn a lot from watching and listening to both Don & Roma and Rush over the years. Every day I remember that I have to be entertaining and/or informative. People aren’t going to tune in just because I have a show. I have to offer them something. I have to talk about things that affect their lives. Sometimes that’s politics and sometimes it’s not.

Though I’m obviously conservative, I think people listening to the show would find that thoughtful, respectful liberals have a fair hearing on the show. That doesn’t mean I’m going to agree with them and I’m going to try to show them the error of their ways, but I’m also not necessarily going to bite their head off. If they’re jerks then I probably will. There’s a lot of politics on the show because what’s going on in Washington, Springfield, and City Hall affects each of us every day. But I go beyond that. Some of the questions I’ve addressed in just the last couple of weeks: Why should a swimmer performing a rescue because the lifeguard didn’t get there in time have to pay his own medical bills? While we don’t sanction domestic violence, wouldn’t everyone understand if Elin took a 9-iron to Tiger? And why in the world is the new Sun Chips bag so darn loud???


JERRY AGAR

Last time I interviewed Jerry Agar a few years ago he was the one in that time-slot between Don & Roma and Rush on WLS. Since then he moved over to WGN as a fill-in host for awhile, before landing another full-time gig in his native Canada a few months ago. I asked him how the new job is going, and if it was more difficult to do conservative talk in a more liberal country...


Jerry: I am currently doing the 9 am to 1 pm show on Canada's heritage, and largest talk station News Talk 1010, formerly known as CFRB in Toronto.

Canada has gone even further to the left since the days when I grew up here and it seems I got back just in time to fight the socialism.

The people at the station are great. Like WGN it is live and local all day and evening, with a full news room.

I am still proudly associated with WGN as I get to do some Saturday evenings for them.

One of my sons has just started his senior year in high school so my family is still in the Chicago area as we want to let him finish it out with his friends and sports teams.


BOB HALE

I got wind of an honor that is being bestowed upon Bob the other day. Couldn't happen to a nicer guy. He also sent me this picture from more than fifty years ago...

Bob: It's true. The Iowa Rock and Roll Hall of fame in inducting me Labor Day weekend. That a 1.50 gets me on the CTA! (It is still 1.50 isn't it? As a Senior I ride free...a really stupid idea!) So, for what it's worth, I guess my Buddy Holly death connection is about to rocket me into international fame!!!! Again, that and 1.50.....

The pic is from 1959 when KRIB's rock and roll format was one year old. It was taken at my weekly record hop at the Surf Ballroom in Clear Lake.




Next week I'll be back with a few more updates...

Monday, August 30, 2010

Back this weekend

I went very far away this summer, all the way to the very tip of the African continent. This is a photo I snapped there. The Indian Ocean is on the left, the Atlantic Ocean is on the right.

Strange thing happened in South Africa by the way. I ran into WGN morning man Greg Jarrett and his family. I guess it really is a small world.

I've been back now for a few weeks, and I've been talking to some of my previous CRS interview subjects. I'll have updates from as many as ten of them over the next couple of weeks, before I launch into the new interviews. Some big ones are scheduled for this fall.

Thanks again for checking out the site. Four CRS updates are coming on Saturday.